VON TRIER (Lars), dancing in the dark - BJORK, in the musicals.jpg
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Entete : Ceux qui avouent sont toujours condamnés Jean-Charles AVINAIN
Texte (description) : Lars Von TRIER, dancer in the dark Selma Jezkova, immigrée tcheque, travaille dur pour tenter de réunir l'argent pour soigner son fils menacé, comme elle, de cecité. Cet argent, subtilisé par son voisin, l'entrainera vers une fin tragique, ce qui ne l'empechera pas de survivre jusqu'au bout grace à la musique et la danse, içi à son proces. Présenté pour la première fois lors du 53e Festival de Cannes, ce film y a remporté la Palme d'or et a valu à Björk le prix d'interprétation féminine. Illustration musicale: BJORK - in the musicals Remarquée pour sa voix couvrant trois octaves et sa personnalité excentrique, Bjork a développé un style musical éclectique, s'inspirant des musiques électronique, pop, punk, jazz, alternative, expérimentale, trip hop, classique, traditionelle et avant-gardiste. Why do I love it so much? What kind of magic is this? How come I can't help adore it? It's just another musical No one minds it at all If I'm having a ball This is a musical And there's always someone To catch me There's always someone to catch me There's always someone to catch me There's always someone to catch me When you fall Why do I love you so much? What kind of magic is this? How come I can't help adore you? You were in a musical I don't mind it at all If you're having a ball This is a musical And you were always there To catch me You were always there to catch me You were always there to catch me You were always there to catch me When I fall I don't mind it at all If you're having a ball This is a musical And I will always be there to catch you I'll always be there to catch you I'll always be there to catch you I'll always be there to catch you You were always there to catch me And there's always someone To catch me You will always be there to catch me You were always there to catch me When I'd fall
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