---MUNCH (Edvard), the kiss - PETER PAUL and MARY, kisses
L'amour, c'est la fusion
George SAND - Le Diable aux champs
Edvard MUNCH - the kiss
Il est pratiquement impossible » de séparer les deux personnages, notamment là où les visages se touchent et ne font plus qu'un. La représentation des amants traduit leur unité, mais aussi peut-être une « perte d'individualité, le couple devient « la fusion de deux êtres, dont le plus petit, semble prêt à dévorer le plus grand. Le cycle représente les stades d'une relation entre un homme et une femme et fait partie de ce que Munch appelait « la bataille entre l'homme et la femme que l'on appelle l'amour », il comprend la représentation d'attractions, de réalisations et de déceptions.
Illustration musicale: PETER PAUL and MARY - kisses
When I was a young man and never been kissed
I got to thinking it over what I had missed.
I got me a girl, I kissed her and then
Oh lord, I kissed her again.
Oh, kisses sweeter than wine
I asked her to marry and be my sweet wife,
And we would be so happy the rest of our lives.
I begged and I pleaded like a natural man,
And then, oh lord, she gave me her hand.
I worked mighty hard and so did my wife,
Workin' hand in hand to make a good life.
With corn in the field and wheat in the bins,
I was, oh lord, the father of twins.
Our children they numbered just about four,
They all had sweethearts knockin' at the door.
They all got married and they didn't hesitate;
I was, oh lord, the grandmother of eight.
Now that we're old, and ready to go,
We get to thinkin' what happened a long time ago.
We had a lot of kids, trouble and pain,
But, oh lord, we'd do it again
Fred Hellerman / Huddie Ledbetter / Lee Hays / Pete Seeger / Ronnie Gilbert
, the kiss - PETER PAUL and MARY, kisses.jpg)
