![]() | art perse - Striding lion (604 B.C. - 561 B.C.)Excavated in 1899 at Babylon by a German expedition under the direction of Robert Koldewey, this panel was one of the 120 similar reliefs that included lions, bulls and dragons. The relief symbolizes life and death, and once decorated the walls along the processional way leading from the Ishtar Gate to the great temple of Marduk, suggested to be the famed "Tower of Babel." A reconstruction of the Ishtar Gate is now in Berlin. | art perse - Striding lion (604 B.C. - 561 B.C.) (E) Excavated in 1899 at Babylon by a German expedition under the direction of Robert Koldewey, this panel was one of the 120 similar reliefs that included lions, bulls and dragons. The relief symbolizes life and death, and once decorated the w ... |
![]() | Canaletto - Bacino di San Marco, Venice (detail 2) | Canaletto - Bacino di San Marco, Venice (detail 2) (E) ... |
![]() | Mary Stevenson Cassatt - In the LogeIn the late 1870s, when she first exhibited with the Impressionists, Cassatt painted several images of the theater, a popular entertainment in Paris. Unlike her friend Edgar Degas, Cassatt focused on the spectators rather than the performers, exposing the dramas in the audience. In the Loge explores the act of looking: a distant man (at right) watches the woman in black who stares through her opera glasses at another spectator. This series of glances evokes Cassatt's own studious observation as she produced the picture. Despite the man's intense gaze, the woman in black is not merely an object of his desire. Her own actions emphasize her independence and reflect the increasing social freedom accorded modern women. | Mary Stevenson Cassatt - In the Loge (E) In the late 1870s, when she first exhibited with the Impressionists, Cassatt painted several images of the theater, a popular entertainment in Paris. Unlike her friend Edgar Degas, Cassatt focused on the spectators rather than the performer ... |