Lars Von TRIER, dancer in the dark
Selma Jezkova, immigrée tcheque, travaille dur pour tenter de réunir l'argent pour soigner son fils menacé, comme elle, de cecité. Cet argent, subtilisé par son voisin, l'entrainera vers une fin tragique, ce qui ne l'empechera pas de survivre jusqu'au bout grace à la musique et la danse, içi à son proces. Présenté pour la première fois lors du 53e Festival de Cannes, ce film y a remporté la Palme d'or et a valu à Björk le prix d'interprétation féminine.

Illustration musicale: BJORK - in the musicals
Remarquée pour sa voix couvrant trois octaves et sa personnalité excentrique, Bjork a développé un style musical éclectique, s'inspirant des musiques électronique, pop, punk, jazz, alternative, expérimentale, trip hop, classique, traditionelle et avant-gardiste.

Why do I love it so much?
What kind of magic is this?
How come I can't help adore it?
It's just another musical
No one minds it at all
If I'm having a ball
This is a musical
And there's always someone
To catch me
There's always someone to catch me
There's always someone to catch me
There's always someone to catch me
When you fall
Why do I love you so much?
What kind of magic is this?
How come I can't help adore you?
You were in a musical
I don't mind it at all
If you're having a ball
This is a musical
And you were always there
To catch me
You were always there to catch me
You were always there to catch me
You were always there to catch me
When I fall
I don't mind it at all
If you're having a ball
This is a musical
And I will always be there to catch you
I'll always be there to catch you
I'll always be there to catch you
I'll always be there to catch you
You were always there to catch me
And there's always someone
To catch me
You will always be there to catch me
You were always there to catch me
When I'd fall